http://www.beatthief.com/three/miles/index.html An appreciation of Miles' controversial music in the 1970s when he absorbed Jimi Hendrix, Sly Stone, and James Brown and sought to combine jazz, rock, and funk in a true fusion. http://www.bigmagic.com/pages/blackj/column4.html A Miles Davis-Charlie Parker Christmas story from 1948 courtesy of The Blacklisted Journalist. http://www.wam.umd.edu/~losinp/music/code_md.html Enrico Merlin describes Miles' methods during as the electric period of the 70s evolved. http://users.ids.net/~dmsr/davisthing.html Details on the Miles and Prince relationship in the late 1980s. http://www.hyperreal.org/music/artists/brian_eno/interviews/Miles.html Brian Eno's musings on Miles Davis and the relationship between the music and the context (taken from from The Wire Dec./Jan. 1993). http://www.geocities.com/Heartland/Valley/2822/miles_davis.html An analysis of Miles Davis' recordings by historical period. Includes the two classic quintets, fusion, and the comeback period of the early 80s. http://www.peanutsjazz.com/artists/Miles-Davis.html Profile of Miles Davis at PeanutsJazz, including biography, discography, record reviews, etc. http://www.selmer.com/htdox/miles.htm Musician and teacher Bart Marantz's analysis of the classic track from "Kind of Blue." http://miles.rtvf.nwu.edu/~miles/sivadselim/nisenson96.html Miles biographer Eric Nisenson's take on Bitches Brew. http://miles.rtvf.nwu.edu/~miles/sivadselim/masters.html Greg Masters discusses the live recordings of the early seventies. http://www.wam.umd.edu/~losinp/music/valentine.html Luca Bragalini's analysis of Miles' approach to "My Funny Valentine" http://stange.simplenet.com/nebula/feat011/feat011.html The Nebula Net-zine's 11th issue combines Richard Stevenson's poems inspired by Miles' music with artwork by Marlene Menard. http://www.clicks-and-klangs.com/archive/002/davis.htm Graham Johnston surveys Miles' electric period from the late '60s and early '70s.