<?xml version="1.0" encoding="UTF-8" ?>
<!-- Copyright (C) 2001-2005 MusicMoz (MusicMoz.org) -->
<!-- XML extract of Test/RP/Composer -->
<!-- Produced: Thu Mar 17 15:27:51 2005 GMT -->
<!-- For license see: http://musicmoz.org/xml/license.html -->

<musicmoz>
<category name="Test/RP/Composer" canapply="1" cansubmit="1" type="composer">
   <subcat name="Links" items="18" />
   <subcat name="Works" items="0" />
   <name>Cage, John</name>
   <from>United States</from>
   <period number="1">Contemporary</period>
   <born>1912</born>
   <died>1991</died>
   <logo src="http://w3.rz-berlin.mpg.de/cmp/cage.jpg" width="200" height="214" />
   <attrib>New York School</attrib>

   <work name="4'33&quot; [four minutes &amp; thirty-three seconds of silence]" />
   <work name="Music for Marcel Duchamp for Prepared Piano" date="1951" />
   <work name="Concert for Piano and Orchestra" date="1957-8" />
   <work name="Cheap Imitation for Solo Piano" date="1969" />
   <work name="Cartridge Music" date="1960" />
   <work name="Indeterminancy [with David Tudor]" />
   <work name="Amores for Prepared Piano &amp; Percussion" date="1943" />
   <work name="Fourteen for Piano &amp; Instrumental Ensemble" date="1990" />
   <item id="18194-1010422779" type="biography">
      <title>Cage, John</title>
      <body>John Cage was born September 5, 1912 in Los Angeles. He is today regarded as one of the central figures in the music history of our century. The extent of his influence and the far-reaching effect of his ideas is immeasurable. In Europe his work began to be recognized during the fifties, thereby strengthening his position in the USA considerably. Since the thirties Cage has been composing continually for all available media. Above all, his inclusion of chance operations for compositional decisions became famous - a procedure based on a totally new understanding of what music is, what art is. Frequently Cage provides no more than a framework or situation, the content of which can always be filled anew by the musicians and which varies with every repetition. Occasionally, however, Cage also records the results of these chance operations in precise notation, resulting in a fixed text for the interpretation he did so for the first time in 1951 for his Music of Changes and the Imaginairy Landscape No.4. Since then, decisions based on chance and made with the help of the ancient Chinese book of oracles I Ching become a central component of his working method. Up to the present Cage has written over 150 compositions and published several volumes of his collected writings, a majority of which can be regarded as musical compositions.Stolen from http://www.xs4all.nl/~gaud/biobak/c/cagej.htm</body>
   </item>
</category>

</musicmoz>

